Collective Fear is the first significant piece I created after my mother died in December 2022, during the earliest days of my life as a studio artist. I was navigating both personal grief and the residual shockwaves of a world that had spent years living under the spell of fear.
This hat was born from the ideas explored in my essay—how Maslow’s hierarchy of needs collapses when safety is undermined, how a mind in fear cannot grow, and how modern society had been inundated with messages designed to divide, alarm, and overwhelm us. The COVID lockdowns, the televised death of George Floyd, the riots, the political upheaval, the election controversy, January 6—all of it had been burned into our collective consciousness. Fear became the invisible enemy. Fear became the narrator.
The hat’s form mirrors the familiar imagery of the virus, but with symbolic intent:
the dark protruding tubes represent the fear-driven messages saturating media and seeping into the collective mind, while the bright, bumpy surface represents the overstimulated human brain—confused, divided, unable to find stability.
While communities like the Amish remained untouched by these waves of fear, much of the world experienced psychological fragmentation. This piece captures that rupture.
I built Collective Fear on a latticework base and spent 62 hours layering mixed fibers into a sculptural, freeform crochet landscape. It measures 23 inches in interior diameter and is both wearable and displayable.
This piece is a visual artifact of an era—but also a reflection of what happens when fear becomes the architect of society. Creating it was my way of reclaiming my voice in a moment when the world felt chaotic, divided, and deeply wounded.